Tamami Terasaki's second photobook, following her debut Rheological Landscapes, depicts houses and their surroundings in the Tokyo metropolitan area. In the afterword she writes that she photographs out of yearning and admiration for a world that exists apart from human emotions, driven by a desire to look at the world from outside the limited human view. She wanders to places where the landscapes and she begin to resonate, stops and releases the shutter, but the landscapes remain cold towards her and the separation only grows the more she shoots; even so, her inner drive to see what she has not yet seen pushes her out into the world again, camera in hand, into the gap between herself and the things she sees.