Nam Tchun-Mo (b. Yeongyang, South Korea, 1961) represents a new continuation of the Dansaekhwa movement, a South Korean art direction that already in the 1960s worked radically abstract, largely monochrome. His work is pervaded by a unique consistency of reduction to the drawn line, which he simultaneously interprets sculpturally. Fabrics hardened by synthetic resin give his ideas a sculptural dimension. From lines and surfaces become heights and depths, which he often colours monochrome.