Christiane Feser's (*1977) works are border crossings between photography and object, in which the engagement with paper as material and image-carrier is the connecting element. In the series Partitionen, photographs of varied modular constellations are dismantled, altered and reassembled through manual interventions. Thus, from a two-dimensional photograph, a sculptural relief-like work arises. These fascinating images resist the quick superficial glance; they demand calm contemplation and intensive analysis. One wants to touch her images, to literally grasp or understand them.