"Youngsters kill time and act out childish and youthful scenarios at road crossings and on the city's streets. Salarymen walk together purposefully. Pedestrians with baskets return to base. Encumbered cyclists sustain the domestic theme. It is easy to imagine domestic spaces beyond the facades, and all manner of particular interests, for there are quite different styles and costumes among her passers-by. Patrícia Almeida's Tokyo is a city with its tender side, and the promise of intimate and familial moments. Above all it is a city in which humanity appears to be vulnerable." (Ian Jeffrey)