Eight photographers, eight notebooks, eight perspectives: Jacques Angelini, D'une île à l'autre; Florence Blondeau, La passion; Aisling Greally, Butterflies in the night; Martine Henry, Utopia; Isabelle Levistre, Lockdown; Dorrie McVeigh, The things we cannot see; Ewa Pszczulny, La compagnie bleue électrique; Joel Saras, Voir l'invisible. Diana Lui describes once again the privilege of piercing other people's intimate worlds: Joel Saras's naive approach to photographing his enormous collection of heterogeneous objects; Martine Henry's ironic images tinged with the melancholy of a utopian world turned absurd; the sacred intimacy between man, animal and earth seen by Florence Blondeau; Jacques Angelini's search for a family past that can only be deciphered through the letters of an unknown grandfather who emigrated to Panama; Dorrie McVeigh's superb, disturbing images of an unconscious childhood memory of drowning; Ewa Pszczulny's microscopic observations of the surreal and sublime in ordinary living organisms; Isabelle Levistre's collection of silent prisons seized in a park of a wealthy district during the lockdown; and the birth or rebirth of another kind of prison inside her own body for Aisling Greally, expecting her second child.