Our eyes possess an immediate intelligence; day after day they let themselves be captivated by effects of meaning, the impression felt before a scene often sufficing on its own, sometimes giving way to ideas. With L'intuition photographique, Arnaud Claass blends things seen, theoretical explorations and critical digressions on subjects including the relationship between art and reportage, a London street, exhibition visits, a storm in Venice, African photography, wanderings in the countryside, experimental or mainstream cinema, and the irrationalities of the art market, while in the more introspective Regard perdu he traces, in brief notations, the upheaval caused in his way of looking by the recent loss of his wife Laura.