Two notebooks in one volume. The first, Isabelle Huppert, is a rare encounter: a towering figure of French cinema who has been photographed by the greatest names, here captured off guard by Bernard Plossu, escaping pose and convention to become a fleeting silhouette, a free presence, an actress of the instant, with an accompanying text by Dominique Païni describing her as a fugitive, Baudelairean passer-by. The second, Pauline Croze – Une visite à La Ciotat, grew from Plossu's wish to meet the singer whose music accompanies his family life, a day improvised under a cloudy sky that became, in his words, a silent song and a two-voice diary.