Didier Ben Loulou pursues his "archaeological" research in a three-thousand-year-old city that is almost a microcosm in itself: Jerusalem. In this precise, minute investigation of a biblical, almost imaginary city, he opens up glimpses of a sometimes disconcerting reality. The images appear as fragments, of a face, a wall, a cast shadow, enlarged to the extreme so that the familiar object is diverted and made to appear in a surprising, unexpected light, becoming strange.