An obstinate surveyor of contemporary China, Wang Bing marked the world of cinema from his beginnings in 2003 with West of the Tracks. Since then he has followed those excluded from the Chinese economic miracle, establishing an off-frame to the official media coverage, between propaganda and censorship. This major volume of 832 pages unfolds his films as a single walking eye, frame by frame, and gathers in its second part a set of texts on that body of work.