After two volumes with September Books, Marie Quéau's Odds and Ends unfolds a body of work with the taste of an apocalyptic premonition: a world on fire and emptied of people. For five years the French photographer worked on this fable without men, a long series mixing the destructive potential of the natural elements with the anxiety of a lifeless future that no longer seems so unreal, underlined here by a poem from Amélie Lucas-Gary.