A modern look at the architecture and the interiors, down to the most hidden details, of a surprising Italian theatre between rococo and the nineteenth century: the Teatro Grande of Brescia.

In Pansini's frames composition, light and colour find their balance in a natural, silent sharpness. Matter, spatiality, exactness and harmony define her interiors and still lifes, the focus of her interest — a reflection of studies in sculpture and visual communication, of a precise and original point of view, and of technical perfection.