In this book the artist bets on art made of clashes, out of an absolute belief that the poetic can only be resolved through tension between living materials and the intense negotiation between opposites: passion, and the loving and thorny friction between bodies. As she puts it: “dealing with the universe of art makes me face the immeasurable nature of images, creating what is probable, seeing what would exist if the invisible were visible. Images are questions that lead me to investigate the meanings of time. Of this dilated time, the time of when.”