Luis Molina-Pantin has created an archaeological work, located beyond the photographic. It accumulates apparently devalued collective places and brings them to a standstill, looking at them intensely until they are broken. Looking at what no one else sees – finding excavating, capturing. It takes the reverse side of things, without the slightest intention of adding more to it than it has.

The uncertainty of Venezuelan bank customers in 1993 added to the political uncertainty resulting from the “Caracazo”, a failed military coup d’état and the removal of the Venezuelan president, resulting from the unprecedented ruling in a corruption trial.