Contributors: Siouzie Albiach, Mariano Bocanegra, Alejandro León Cannock, Florence Cuschieri, Juliette George, Marta Gili, Giovanni Battista Martini, Audrey Mot, Fabien Vallos and Juliette Vignon. In 1960 Lisetta Carmi chose to abandon her career as a pianist to take up photography. She took part in left-wing protest movements in reaction to the neo-fascist and reactionary rise of the 1960s and, inspired by this context, used the camera as a political tool of experience and sharing with those who aspire to recognition in the social space of the common. Her series I Travestiti in particular depicts with gentleness and complicity the life of a community of travestis, with trans identities, in the former ghetto of Genoa; she was the first to document the LGBTIQ community in Italy, at a time when gender identity was a real taboo in a Catholic, ultra-conservative country. Her gaze also rests on the working world: her series on the port of Genoa capture the intensity of the body at work and its encounter with the gigantic, devouring body of the port industry. The rest of the exhibition is devoted to portraits of the American poet Ezra Pound, then secluded for years in silence. Her work thus makes visible, in a way that is both poetic and political, those who urgently demand a community to come, and the urgency of the image of their singularity. This edition is part of a global educational project of the École nationale supérieure de la photographie in Arles: five students, supervised by a teaching team, meet professionals (gallery owners, curators, researchers, scenographers) in order to build this book and the curating of the exhibition.