Issue 13, "art and its technical reproduction", reactivates the postmodernism debate through the question of a crossed operativity between tools. It considers photography as an element reorganising the artistic fact through its capacity to document, duplicate, leave a trace, make a work or make history, questioning what the photographic reproduction of a work and its circulation do to the book and to the exhibition. Contributors include Fabien Vallos, Pierre-Lin Renié, Richard Prince, Louise Lawler and Richard Pettibone.