Issue 11 of Inframince, a research journal on image and photography, devoted to a reflection on contemporary forms of the archive. As search engines accustom us to moving through near-infinite stocks of images, artists and researchers use these tools as a new raw material that in turn reshapes practice and environment. With texts by Lewis Baltz, Boris Groys, Lorraine Audric and Stéphane Grumbach and a long interview with Thomas Demand, this issue asks how the archive, in both research and photography, must be rethought against the flow of images.