Invited to edit her first book, the curator chose to show not only the essay that gives the work its title but also the vast universe orbiting around the artist's studio. In partnership with a designer, the book gradually emerged, revealing her working processes and the different languages she uses, alongside the essay that is now part of important private and institutional collections. With a striking graphic design, in which double pages alternate with sections in simple pagination, the images of trees and flowers gain the same illusion of three-dimensionality the artist obtains in her gallery work.