Colour work, all of it upright, made over the ten years that followed the 2003 retrospective Degree Zero — Yokohama at the Yokohama Museum of Art.

“Takuma Nakahira prefers to play the victim, but in truth he's the one who does tremendous damage. He is the only one who ever made it to the sanctuary of the medium. By all means, Takuma Nakahira has achieved quite something, and I feel utterly mortified.” — Daido Moriyama, from the belly band