What Ogawa made during his stay in New York between 1967 and 1968.

“With these images Ogawa succeeds in his desire to depart from a narrative format and to make one picture evoke multiple possible interpretations. So much of what he felt and observed that special year can be perceived in each single picture and in the series's totality, which is a loving but sober allegory about modern life in a metropolis.” — from the text by Anne Wilkes Tucker