Little completes a trilogy of photobooks rooted in the approach to "camera" Tim Carpenter elaborated in his book-length essay To Photograph Is to Learn How to Die. Less formally rigorous than Local Objects and less introspective and linear than Christmas Day, Bucks Pond Road, it channels the meandering mind of a child, open to possible meanings and absorbing whatever the eyes encounter — marks, buildings, branches, paths, the daylight of a Central Illinois afternoon — nascent symbols everywhere, fleeting images improvised of mind and matter.