An unprecedented survey bringing together all of William Klein’s work in nearly 400 pages, from the first abstract series to his films and painted contacts, including the emblematic series on New York, Rome, Tokyo, Paris and Moscow and his fashion photographs. Designed with the complicity of Klein, who followed the editing and layout to the end, it testifies to an abundant, protean body of work mixing photographs, films and paintings, many never published before, with a long essay by David Campany.