A publication produced on different newsprint paper stocks, using the industrial ruins of the city as a backdrop for a portrait of two teenage noise musicians. Marcopoulos's video documenting their performance featured in that year's Whitney Biennial, while the date-stamped stills in the book, shot simultaneously, flesh out the surroundings: snapshots of the two musicians with guitars in a bedroom hung with posters, and a close view of their effects pedals on a brightly painted floor. The images weave a loose narrative around familiar themes: domesticity, alienation and the markers of youthful identity.