The fourth zine in Dashwood's series with Grace Ahlbom, featuring outtakes from a Supreme skate trip to Mexico City. Ahlbom documents a group of boys skating in the city in the spring of 2019. She came across the photographs again while going through her archive during quarantine, struck by how differently they resonated at a time when people were mostly indoors and being freely outside and in public spaces together seemed a fading memory and a distant future. Looking at the pictures in that liminal space gave them a new sense of meaning: skating relies on the nuances of the architecture of public life, and in a way these photographs speak to that.