Moscow. Light reflects a ten-year experiment in flanerie, tagged by the artist with clear if contradictory hashtags - staged and observed, naked and hidden, the city and the apartment. It is a deliberately free-form kaleidoscope of a decade in the formal coordinates of the capital, arranged, as any proper database should be, without obvious order: anonymous nude bodies, crowded or empty streets, domestic interiors and urban landscapes, almost all unmoored from a fixed moment in time, left for the viewer to assemble into a panorama of a city where, it suggests, anything is possible.