In its presentation of private images from two very different family photo collections, this unusual book highlights the small details—the commonplaces—of everyday life often forgotten in the larger narrative of South African history. The Ngilima collection is the combined work of Ronald Ngilima and his son Thorence, ambulant black photographers who photographed life in the African, coloured and Indian neighbourhoods around Benoni, east of Johannesburg, in the 1950s. The Drummond-Fyvie collection belongs to a white, English-speaking farming family from Estcourt in KwaZulu-Natal, covering 150 years of the family’s history. The presentation of images from these two collections, side by side in an imagined and creative dialogue, gives the reader a new way to consider the relationship between peoples’ ordinary, everyday experiences, and larger socio-political forces in South Africa. The people in these photographs are unlikely to have met each other, but in bringing the collections together, unexpected visual connections begin to emerge, suggesting the varied ways in which these different lives might resonate with each other. This exercise in juxtaposition does not claim to transcend the political, but brings to the fore the unremarkable, commonplace details that also make the political deeply personal. Commonplace began as two separate research projects in which Feyder and Adams were considering the importance of private photographs for understanding the past and our relationship to it. Dwelling on the quiet, non-sensational, everyday stories taking place at the margins of—even in spite of—the ‘struggle narrative’, this book invites us to acknowledge and appreciate the commonplaces and to reconsider the ways in which we interpret such images and the histories they suggest.