The rigorous observation of vast expanses of nature places Antoine Dambrine's work in the tradition of landscape, here in the excellence of black and white. It can be associated with Ansel Adams, Edward Weston or, closer to us, Michael Kenna and Jean-Pierre Gilson. A pure amateur but not a dilettante, he accumulates mastery of a demanding practice that has become rare: large camera, monochrome, barium prints.