The powerful religious sites of Uluru and Kata Tjuta in the Northern Territory of Australia have been of deep interest to the artist Anish Kapoor since he first visited them in the 1980s. At Uluru he found a landscape of monumental scale which contained intimate and ritually resonant sites. A landscape of hollows and voids which he has read as resonant of primal or even “original” structure. Kapoor describes Uluru as “an object with a perforated skin which lends itself to mythic meaning.”