When a love story comes to an end, what does it mean to watch yourself be silently replaced, not just in someone's life, but in the very spaces that once seemed sacred? Diana Markosian's Replaced examines the consequences of love through staged reconstructions and layered visual narrative, using the camera as an authorial tool to revisit the past while actively shaping it in the present. What once unfolded outside of his control is now directed, framed, and reenacted, blurring the lines between documentary and fiction, as Markosian suspends the relationship for a while longer, lingering between the impulse to let go and the desire to hold on.