In tracing some of the notions and narratives embedded in Chapters , a 16mm film shot in Cyprus in 2012, the idea of making a book came about as an exercise, or rather an experiment, to deconstruct the film into some of its constituent subject matters. Embarking on a new set of associations between image and subject, source and information, meaning and abstraction, this book is both a document and a memory map, tracing the beginnings of a thought, a time, an image and a place. Haris Epaminonda uses video and film, collage, photography, books and objects in an extensive process of assembling and disassembling appropriated materials to reconstruct non-linear narratives. The artist works with found images from the past – sometimes faded travel photographs or the pages of old nature magazines, ethnographic artefacts or footage from forgotten television programmes. She then manipulates the images, cutting and layering, to create new works that feel wholly part of the present.