In his debut book Mikko Kerttula observes the everyday events at a bus terminal of a small Swedish city of Sundsvall. By using reflections, bouncing harsh light and stains in glass surfaces Kerttula creates abstract and mirage-like portraits. Whether rushing by the station or patiently waiting for their bus to arrive, the people are portrayed almost as apparitions, captured in midst of transformation. The work subtly turns the mundane into something extraordinary, mysterious and even unearthly.