As La Dolce Vita (1960) prepares to celebrate its fiftieth birthday, this facsimile of the albums from the film shoot revisits a cinematic masterpiece. Close to 1,000 original photographs are gathered in five albums, some used for promotion, others illustrating reports and interviews, most never published. An essay by Sam Stourdzé and press iconography reveal Fellini’s sources of inspiration, such as Anita Ekberg’s nocturnal dip in the Trevi Fountain.