Andreas Gursky ’s new Bangkok series forms the basis of this book. Gursky’s photos depict the dark, moving water of Thailand’s Chao Phraya river, whose shimmering surface possesses the qualities of abstract painting. Indeed these photos are reminiscent of some of the most recognisable examples of Modernist Abstraction such as the work of Hans Arp , but they also echo the more hostile patterns of military camouflage.