Can photographs represent concrete places? Only on closer inspection does the distance between the visual experience of places and the media images generated from them become apparent. Quoting Henri Cartier-Bresson on the decisive moment, the volume explores how artistic photography can describe the gap between spatial reality and photographic image and make visible the present at the time the photograph was taken. It brings together works by Viktoria Binschtok, Julian Faulhaber, Mareike Foecking, Stephanie Kiwitt, Nikolaus Koliusis, Barbara Probst and Wolfgang Zurborn, with texts by Holger Kube Ventura.