Candida Höfer's shots of deserted libraries, opera houses, concert halls, churches and museums have made her a member of the international photographic avant-garde. One strand of her oeuvre is the editions, photographic prints in small formats issued in larger numbers to support institutions and art publishers. Gathered here for the first time, with an introductory essay by Anne Ganteführer-Trier, around one hundred such editions made between 1987 and 2020 offer a representative cross-section of her art.