‘Photographs’ is an overview of Nigel Grierson’s work, spanning many years and many different projects. The book avoids the rigours of chronology or any other form of categorisation, in favour of a stream of consciousness that finds its own visual connections between the various disparate elements. For Grierson, the visual world has its own rhythms and language, more profound than the spoken word: “I’m always primarily interested in the medium and how different the world looks when photographed. It’s this sense of discovery within the work which fuels my imagination, and which I hope will provoke a similar response from the viewer.” Whilst the work ranges from street photographs through to constructed images, his primary interest is in the new meanings that emerge as disparate elements and surfaces come into contact with one another and abstract reality. This lack of information within the fragment, divorced from its original context of time and space, is seen as offering greater scope for the imagination. Grierson has said that some of his more constructed images, “owe as much to the spatial surrealism of Beckett and Kafka, or the investigation of surface by Tapies, as they do to other practitioners of photography.”