The project began when the artist duo stumbled on an eBay archive of handmade zines containing rephotographed images from a 1920s pornographic film. These booklets, it later emerged, were made privately by the so-called "Vampire from Dachauer Moor", an elusive figure of Munich's occult scene of the 1960s and 70s whose story teeters on the boundary between myth and reality. The photobook recontextualises the found zines and combines them with archival material from other sources, becoming an exploration of identity, obscurity and the power of narrative construction: a movement into shadow, grain and ambiguity, in which decayed, rephotographed zine material mythologises the past rather than restoring it.