Like a modern fresco, Trinity gathers three bodies of work that complete one another in a photographic and journalistic triptych: the first part devoted to History, the second to War and the third to Politics, the three "realms" that preside over the destinies and rhythms of life. No one is left out: from the centres of power, Eastern or Western, to the remotest regions of Africa, we are all subject to these three "domains" and must be aware of all of them. With admirable visual synthesis, the work lets us stop, contemplate and rethink our relationship with the history we belong to, the war we know exists and the politics that oppresses us. "Trinity reads like an epic poem: the story of a foreign traveller who looks at the obvious in order to penetrate it, to bring out its unfathomable side. It shows what is before everyone’s eyes: power, destruction, spectacle, stage sets, decorations" (Peter De Graeve).