His gaze is that of an insatiable devotee of effect, a skilful creator of compositions as refined as they are artificial, which celebrate detail and bring out every imperceptible minutia while denying any possible "truth". His nature is not natural: it is built like the most complicated of photographic sets. Before a model, a bunch of bananas, a flying fish or an evening dress, his attitude does not change: hence Innatural, for the unnaturalness within "his" nature.